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Most movies make the ex-spouse a cartoon obstacle—the jealous harpy or the deadbeat dad. But June isn’t a villain. She’s just exhausted.

A celebrated indie director begins filming a deeply personal movie about her own chaotic blended family—only to realize that her cast’s real-life resentments, exes, and loyalties are hijacking the production. Scene 1: The Greenlight Maya Kohli, 42, has just secured funding for her most vulnerable project yet: The Third Weekend , a dramedy about two divorced parents, their new spouses, three collectively traumatized kids, and a golden retriever named Chaos who only pees on the “neutral territory” of a rented lake house.

Leo refuses to sit next to Samira. “No chemistry,” he says. Actually, he’s still texting his own ex-wife, who has custody of their dog. My Hot Sexy Stepmom -DDF Network-

The writers stare. One raises a hand: “What about the ‘new baby’ dynamic? Half-siblings?”

The camera keeps rolling. Maya doesn’t cut. Most movies make the ex-spouse a cartoon obstacle—the

Later, Talia’s real mother (who is June, remember) watches the playback. She’s quiet for a long time. Then: “My daughter never cries in front of men. She trusted him.”

Leo, method as ever, tries to hug her. Talia (real life: parents divorced three years ago) flinches. “Don’t,” she whispers. “You’re not my dad.” A celebrated indie director begins filming a deeply

But the real story happens after the Q&A.